30 Jul 2019

Casual Craft Meet


Have you ever been that person who organised a meetup or arranged to get together with people saying “It’s all casual”, then still dressed up for it? Yup, I am now that bitch.

| Angelic Pretty Cinema Doll JSK | Imperial Fiddlesticks headbow | After Midnight necklace | Voodoo Dolly ring | everything else is offbrand |

I so regret not taking a selfie at John Lewis. Also, ignore the flyaway hairs, please.

This is probably my favourite portrait closeup of the ones taken at John Lewis. Contemplating all the life choices here!

In my defence, it was imperative that I wear Cinema Doll out as soon as possible. I didn’t want to save this print for whatever arbitrary occasion, that’s how you end up with lots of unworn pieces. I went with the first option that came to my mind after checking the weather forecast (thank goodness that it cooled down enough to even wear lolita), threw in some go-to makeup and hair for styling and voila! Also, can we have a quick appreciation for the fact that not only I managed to tie my waist ties entirely by myself, but also that I succeeded in tying them into a very attractive bow? This is the kind of skills that I need and if I can achieve something similar with corset lacing, I will be unstoppable!

I did watch a video on tying bows as I did mine, but hopefully that knowledge will stay with me!

On Sunday together with a friend we had organised a casual craft meet. As you already know, I completely ignored the casual part, but hey, that’s just me. The point of explicitly calling it casual was so that no-one felt pressured to dress up in anything grand for just sitting down to craft. Also, if anyone wanted to come in other J-fashion, that would’ve been cool too, though I feel like I could’ve made that point more obvious. It’s a Sunday meet, half the people still haven’t rested enough from the previous week, the other half are dreading going back to work on Monday – casual is the best thing to do in situations like this.

While people were welcome to bring their own projects, if they wanted to work on that, we also got a bunch of beads and elastic so that people could make themselves some bracelets. That’s probably the easiest crafting project you can do, yet so often it gets put on the back burner. It’s also a really cheap project, which makes it great when trying to pad out your accessory collection at a budget. Rachel did a great job at finding a wide variety of different beads, from plain single-colour ones to fancier ones like stars, we both a bunch of charms we bought forever ago and never used, so there really was a good variety of things that people could do. Looking back, I kind of regret not taking pictures of what others made, because there were some really cool ones, like a black and white goth bracelet with silver crosses or a white and pink necklace with stars and a doughnut charm thrown in for extra cuteness.

Instead, I was too busy enjoying myself and chatting. And doing my own project. All I’ll say here is that it’s for my tea party outfit for Strike a Pose in the Netherlands this September and that it’s not finished yet. However, I am very pleased with how much I managed to do in roughly three hours at the meet itself, especially given how I’ve never used findings like this. While it’s not complete yet, it’s not far from it, I reckon I’m only a couple pieces away and then all that’s left is gluing some stones on. I’m very excited, both for the finished piece and at how well I’ve done with it . Just don’t look too closely, else you might see some of my messy bits.

Super proud of this unfinished baby, it looks so regal!

A closeup. Don't scrutinise too much though, I know that some links are a bit wonky.

Afterwards we quickly stayed in the wider John Lewis arcade to take advantage of its lovely design and gorgeous lighting to take some pictures. Honestly, arcades like this are unbeatable for lighting, even on rainy, cloudy days like last Sunday they are so bright and airy. So we all indulged in taking way too many photos, prompting the usual responses from the public (staring, asking questions, asking if they can get a picture too). After that we parted ways, with some going for some food, while I and one more person headed to the bus station to go back home.

The pictures ranged from genuinely cute...

... to goofy...

... to plain daft and silly. Don't even ask me what this is supposed to be, caption away at will!

Every time I’m at a craft meet, I think that we need more of those because they’re so fun and productive. And inevitably every time so far it was usually followed with not having one because other ideas. Hopefully though this time round it won’t be quite so long before the next craft meet. Although I guess I better finish what I started first, then I can think about organising something else.

What’s the last thing you have crafted? Is it for a specific outfit and/or occasion or something more generic?


26 Jul 2019

Dear Celine Magic Book OP Unboxing and Review


My quest for a long sleeve OP continues, this time with this beautiful piece from Dear Celine.


Taobaotrends

This was the last order that I have done with Taobaotrends. Part of the reason why I switched onto Superbuy was that I noticed the quality of Taobaotrends’ service going down a little, which got me worried. These, unfortunately, continued during this order.

At first everything was fine. I was able to place my order during the preorder period, I paid the full amount and just waited, knowing that this series wouldn’t be available until summer. As we got nearer, I saw some people on social media from North America show off their OPs, so I messaged them asking for updates and was told that the dress would ship out to them within 2-3 days. I waited 2 weeks without any news and when I finally messaged, only then did I get notified that the dress is in the warehouse. I paid for airmail, which took roughly another 3 weeks (advertised ETA was 7-20 working days, so it did manage that) before I finally received it.

Like I said, this wasn’t the first time I have had issues with Taobaotrends communication. So I have already been on the lookout for another shopping service – Superbuy’s no service fees and the inclusion of proof photos (which was what attracted me to Taobaotrends in the first place) simply won me over. The order still got to me and there were no problems with anything else being processed. I’m also a fairly lax and easy-going person when it comes to when I get my stuff, however, when I start seeing other people wear their preorder items, while mine seemingly hasn’t even reached the warehouse, that does tick me off.

The Dress

But let’s move on from that, it is now behind us, and focus on this gorgeous dress itself.

Full dress in all its glory.

As soon as the first previews of Dear Celine’s Magic Book series came out, I was in love. I umm’ed and ahh’d over it for a little bit, double checking the measurements, as well as trying to decide which colour to get, before placing an order for the OP in navy. I ordered a size XL, which has advertised measurements of max 100cm bust, 36cm shoulders and 86cm waist, which is definitely true to measurements. At max 94cm bust and 80cm waist, this fit well, though as my shoulders are more like 38cm this was definitely noticeable and I can only lift my arms so much. It’s not massively uncomfortable, simply means that together with the invisible back zip, which is next to impossible to close on your own, it won’t necessarily be the ‘easy to throw on and wear to work’ that I had hoped it would be.

Besides the zip, I have no complaints about the dress whatsoever. The material is pleasant to the touch and the whole dress is heavy enough to be great for cooler months, despite it being lighter polyester fabric. There is a pocket, which I completely did not anticipate, and both the waist ties and the bow are detachable.

Although we all know that this is all about the print. And that is simply stunning! The navy is a very dark shade, one that in worse lighting could be mistaken for black and one that may be tricky to match. Having said this, there are plenty of other colours in this busy print to easily create some interesting outfits, e.g. using reds, greens, browns, purples, golds, ivories and probably more. I loved discovering all the various places that Dear Celine has managed to insert their logo and there are lots of interesting bits besides the books in there that could make for a nice additional theme to a coord. While this wasn’t my plan originally, part of me now wants a witch hat to really go for those magic book of spells and secrets vibe.

I do wish the collar was more ivory, though I see the appeal of a contrast with stark white.

Having said this, I appreciate the cuffs meing the same fabric instead of a contrasting one.

The quills with ink pots are so darling next to the books.

Sometimes the brand name is in full and sometimes it's initials, keeping things interesting.

I love how you get to see both the fronts and spines of the books, it creates a much more interesting pattern.

That emblem is everything, I would love a brooch with it. 

Even though I sold British Crown, I can still enjoy crowns with this dress - win!

The dress arrived protected by a plastic bag, a box and another plastic packaging. The parcel also included some generous freebies which I completely did not expect. However, to see those you will have to look at the unboxing video, where you can also see how the dress fits.



23 Jul 2019

How I Decide Which Lolita Event to Attend?

Recently I seem to find a new interesting lolita event at least once every few months. Sometimes they are more like bigger meetups that are open to everyone, while other times they are genuinely large ticketed events with all kinds of extra fanciness thrown in. Having remembered times when Tea Party Club’s anniversary, Street Fashion Europe, Hellocon and the Angelic Pretty Tea Party in Paris were the only international lolita events in Europe, constantly seeing new ones pop up is both exciting and overwhelming. I started a thread in my comm’s Facebook group and as of July there were 9 events there already, all between September 2019 and May 2020, and I fully anticipate for more to appear for later in 2020. For all my best intentions, I physically can’t attend every single one – I don’t have enough funds or enough annual leave to use, plus until recently my nearest airport only offered direct routes to a limited number of destinations. How to decide then? Here’s how I do it.


When and where?

While travel within Europe is cheaper than to other continents, there are still places and times that are cheaper than others. Especially when having limited annual leave to take (and when unpaid leave may not always be a viable option), this is the first and often biggest hurdle to overcome. As we all know, time is money, so it’s about the cost of getting to the location as much as it is about the time it takes to get there. How much luggage can I take and will I fit in that? What time will my flight land? Can I safely get from the airport to my accommodation at that time and at what cost? What accommodation options are available? How near are they to the event venue? If they’re far, how much should I budget for public transport and how reliable is public transport there? Is the event during peak or off-peak times for that destination? Do I have any important commitments at that time (family, work, other)? All of these and more can make or break a potential trip before even looking at anything else. This is also when timing is of the essence, as the earlier you know about the event, the better your chances of finding a good deal on travel and accommodation, as well as planning the rest of your life around that trip. All of this is assumptions for a solo traveller (which I often am). If driving and car share are an option for you, this may also swing your decision.

Just because the world is more connected than ever doesn't mean that you
will be able to go everywhere at any time.

What is the event?

Before we even get to the cost of the event itself, a lot rests on what it actually is. To me this means primarily: a) what is the theme; b) who is organising it; and c) who are the guests in attendance. Let’s break this down further.

The theme

As much as I may like everything else about the event, if the theme is not to my liking, I probably won’t go. Not because the event won’t be good, not because I wouldn’t enjoy myself, but because at this stage, with so much choice, I would rather prioritise an event that is 100% to my interests. A good example is the upcoming Museum of Oddities event in November/December in Madrid. I thoroughly enjoyed myself in Madrid last year: I enjoyed the city, made some great friends and the team behind the event are guaranteed to put on something enjoyable. However, the theme seems better suited to gothic lolitas, which is not my primary style. So given that there are plenty of other events happening, I would rather save some money and attend something else, instead of trying to come up with a darker coordinate to match the event theme and to look at things (fashion show, shops etc.) that are not my primary interest. I know that it will still be a good event – it is simply not quite for me.

This theme, on the other hand, I am very much in love with!
Banner for the Lolita of Green Gables event, taken from the event Facebook page,
by Carolina Grinn.

The organisers

This is insanely crucial. Ultimately, how well the event runs depends solely on the people putting it on. Of course, there are always unpredictable hiccups happening, but how the organisers handle those is also vital to ensuring that everyone is satisfied. You are trusting these people with your money to deliver the experienced they advertised, so you want to have confidence that they will handle it well. Is this the first time these people/that team is organising an event? Can you find any reviews of the past ones or can you talk to any past attendees who can shed some light on this? Is this a big team (e.g. Street Fashion Europe) or a smaller one (e.g. Amor Barrocco)? If it’s the first event by that person or team, how long have they been members of the lolita community? Do they have any experience of international events or of organising large meetups such as ILD? Are they respected in their local comm and/or internationally? Have you heard of any drama surrounding them? You’d be surprised how often people who don’t have a good record in their own comm try to do something bigger for the wider community (look out for people saying “I’m in the same comm as X, the event is in my hometown and I am not going”, then ask yourself why is that). Finding this out may be hard if you’re very new to the lolita fashion community, but don’t be afraid to ask questions. Check if someone else in your comm knows anything. If the event page lists organisers as some sort of public page, instead of specific names, ask if the organisers could introduce themselves. Once you’ve been around for a while, even if you haven’t attended anything, it will become easier to find out whose events you can have confidence in and whose might need prodding a little bit more before you give them a chance. This isn’t to say that people who are organising an event for the first time or who may not be widely respected in their community can’t put on a good event. This means that it is up to you to decide whether you’re confident in giving them that chance, even after your stalking and questioning, as well as whether you’re willing to risk it considering the cost of the event (more on which further on).

I trust Amor Barrocco to do a great event, they are a solid team!
Picture from the Amor Barrocco Facebook page, taken by Zazi White.

The guests

Once you’ve been to a few events, there will have been some guests whom you’ve seen multiple times and some you’ve never met, maybe even never heard of. If the main guest is someone new to you, then do you feel excited enough to meet them? If you have attended an event with them already, then would you like to do so again based on the vibe and their interactions with the attendees last time, and your support for them/their brand? It’s also worth checking whether the main guest is someone who attends a lot of events or someone who doesn’t or who’s never done one before. A guest like Triple Fortune seems to have a continuous worldwide tournée – if you aren’t feeling the theme of this particular event, you may still see them at another one. On the other hand, if the guest is someone coming for the first time (e.g. Emily Temple Cute at Traumerei) or someone who hasn’t attended much lately (e.g. Yumi Fujihara from Innocent World), then it may be better to jump at the opportunity while it’s there, since you’re already considering it. There are also some guests who interact much more with the attendees than others. While Mana-sama’s appeal is that he is distant and mysterious, I know people who have gotten a slightly standoff-ish vibe from Angelic Pretty’s Maki and Asuka at Dream Masquerade Carnival, as they only got to meet them at the end of that very long and tiring day (and this will likely be vastly different from someone who met them that morning, both of those people’s impressions are equally valid, so do your research). On the other side, guests like Triple Fortune or Haenuli make very active effort to talk to everyone and to interact. And then you get those in-between ones, e.g. Fumiko-san from Enchantlic Enchantilly who wants to interact, but finds herself stopped a little by the language barrier and innate Japanese shyness. Also, how much guest interaction you get will depend on how big the event is (the more intimate the event, the easier that is), as well as often on ticket tier. Consider how much you want to meet the guest, how likely you might be to meet them again and how much interaction you could reasonably expect to get as an attendee (and how much of it you personally want) when making your decision. And this applies to all guests, both main headliners and other ones, including direct vendors where you might also get to meet an indie designer. Just because someone is not an event headliner doesn’t mean that you might not want to meet them, especially if their brand is based on another continent as you are.

This is still one of my most precious mementos!

What is the total cost?

The more things you can anticipate and calculate, the more informed your decision will be on whether you can attend or not. For starters, you need to take into account the event ticket of your choice, accommodation and transport to/from the place (including transport to/from the airport and the venue, where applicable). To be more specific in your budgeting you could consider things such as food, your shopping allowance (leave some room for flexibility, as many announcements of vendors etc. are made later and currency exchange rates fluctuate), any pieces you expect to buy for your coordinate (including cost of crafting materials where appropriate), any additional attractions you might want to see/do or even any presents/souvenirs you anticipate buying. Some of these costs, namely accommodation and meals, you might be able to split with friends. Other costs, like ticket or transport, you may have options between cheaper and pricier options to suit your needs. Knowing what the whole thing could cost you will help you determine whether you can afford it or not. Or how much you might need to save up for it. Oftentimes it’s not necessarily that the event is expensive, but that we’re not budgeting for it properly. Anticipating to need, let’s say, £600 total for all of the above will help you put away a chunk each month or remind you not to impulse buy when you have the event coming up. And again, the earlier in advance you know, the easier it will be to save up, as well as evaluate your priorities (e.g. do you want lots of money to shop or not) and get good deals on things that you can get for less.

Sometimes events don't work out even despite our best intentions and efforts. Stay positive and
focus on other events you could attend instead of dwelling on the one that slipped away.

Who else is going?

It may sound mean to put this last, however, on a personal level it is much less of a priority than the other ones. Don’t get me wrong, I love going to events and sharing rooms/apartments with friends. The spirit of getting ready together and being hype together is simply wonderful. Yet ultimately, with so many events happening, a time comes when an event that my friends aren’t interested in, which I still wouldn’t want to miss out on. This one is incredibly subjective – some people would not go to an international event on their own, whereas others are happy to give making new friends a go. It might also be that an event that you couldn’t afford on your own becomes much more manageable when attended with friends. Havind said this, remember your online friends. In such a niche community like lolita it’s common to meet a friend via social media and being able to meet them in person at an event is just as special as travelling with a group. Knowing who else is going will potentially affect your financial ability to attend, as well as could improve your emotional wellbeing during by providing you with a support network. Figure out which type you are and if in doubt, ask yourself which one would you regret more: going on your own or not going at all. Again, this may be harder to figure out if you’re new to the lolita fashion community – how could you know when you’ve not experienced much yet? – but on the flipside, doesn’t that mean you have more to gain and less to lose? Only you can answer that question and then weigh it against the other factors.

Whether you travel together or meet there, friends can vastly
improve an event!

What to wear?

This isn’t actually a big factor in deciding whether to attend an event or not, plus it’s more linked with event theme. But if something comes up and you can instantly visualise exactly the outfit that you’d wear, then isn’t this a sign to at least try to make it happen? This is one way the lolita universe can tell you to buckle up, do some savings or take some overtime to go to a particular event and have some fun.
(On a serious note though, don’t base your entire decision purely on that, check the finances first!)



Apologies if this has been less helpful to my non-European audience. I realise that not everywhere is as spoilt for choice with various lolita fashion exclusive tea parties happening and that many of you might be in a place where you’re lucky to have one. If that’s you, I hope that you’ve nonetheless found this useful in terms of general deciding whether to attend a meet or not (since all of this is transferable stuff) and maybe found some interesting nuggets here and there.

So speaking of events, are there any that you are planning on going this year or next? I will definitely be at Strike a Pose in the Netherlands this September, I’ve already bought tickets for Imperial Garden in Belgium next year and am going to move Heaven and Earth to make sure that I attend the 10th Gothic Lolita Festival event in Russia in April next year! And whatever else I might manage in the meantime (which may not be that much more, but I’ll do my best).


* Thumb image by Bradley P. Johnson.

19 Jul 2019

Capsule out of My Wardrobe


My relationship with capsule wardrobes is somewhat complicated. I love looking at other people’s (real or hypothetical) and as someone who prioritises versatility, the concept is highly appealing to me. On the other hand, every time I attempted to make one, I found myself overwhelmed with having to make decisions on what to keep or discard, as well as never knew where to stop so that the wardrobe is still capsule. Which is silly, since when doing the ‘pack for Japan’ Lolita Blog Carnival prompt, a capsule wardrobe is basically what I created. As well as that time I went to Wales and wore only lolita that whole weekend. So this is all psychological barriers, all made up by some sort of perfectionist anxiety. To work on that phobia, I’m taking part in this week’s Lolita Blog Carnival prompt, which asks to create a capsule wardrobe out of things that I personally own. Challenge accepted!


For anyone unfamiliar with the concept, a capsule wardrobe is a collection of a few essential items of clothing that don’t go out of style, which can be augmented with seasonal pieces. The idea is to have a minimum amount of clothing with as many outfit options out of them by getting pieces that work well together and are interchangeable. There isn’t necessarily a set number of pieces one must have for this, although there are some versions of this challenge that do dictate that, like Project333.

At the moment my lolita collection is pretty big (I have a total of 43 main pieces alone), as well as pretty diverse, meaning there are likely several options for capsule wardrobes, depending on the theme and colour scheme I needed. In order to avoid overcomplicating the challenge for myself, I decided to keep it true to my signature look: a tricolour capsule with retro elements. I will be using stock pictures for the collages, so where I don’t have a stock image for something I will use one of an item that resembles it as closely as possible. The idea of this particular capsule wardrobe is that it would be all-seasonal for the North of England (moderate climate, often rainy and windy, with rare spells of hot temperatures) and I will not be including bloomers or petticoat in this, as these are essentials that any lolita should have, regardless of the size of their collection. For the sake of the collages being more cohesive, I’m also not including any jewellery or accessories. 

With all those preambles out of the way, let’s pick some clothes out!

This capsule includes: 3 JSKs, 2 skirts, 1 OPs, 3 outerwear pieces, 5 blouses, 4 pairs of shoes, 6 pieces of legwear, 6 hair pieces, 2 bags and 1 other (parasol). Click to enlarge the image.

Selecting the pieces was simultaneously easier and harder than I thought. On the one hand, since tricolour with retro touches is my signature look, there were some go-to’s that were no-brainers to select, particularly amongst builder pieces. On the other, it hurt to have to ignore several pieces that I truly love with all my heart, both main and builder, just because they would not fit this scheme and theme. This process also made me realise how often jewel and true/pastel shades of blues and reds mix in my collection. I started off with several jewel tone things in here, only to realise that they weren’t working with everything as well as I’d hoped (particularly the wine ones) and I needed something different. Granted, I did decide to stick to having only 33 pieces, since I thought this would help me maintain structure and focus. I probably could’ve stretched it a little, let’s say to 40 pieces total, which would also allow me to include some other small bits, thus making room to incorporate navy or wine better, but decided against that in order to make this more challenging.

Speaking of the pieces chosen, there definitely is a good variety of seasonal things. There’s a coat, a parasol and a pair of boots that can be worn in the rain, key items for anyone living in the UK. There’s also a crop top and a short sleeve OP for those rare times when lolita and heatwaves coincide, as well as a warmer long sleeve blouse for extra warmth and layering. All main pieces can be dressed up or down, depending on need. Although I prioritised getting a variety of socks instead of hair pieces, there are enough of both to go either more casual or more OTT, even if the colour matches are sometimes a little tentative. Lastly, I included two bags, one versatile enough to work with everything, regardless of colour scheme or level of fanciness, and one that will lean more vintage. From sweet to classic and everything in between, this capsule wardrobe truly manages to compress my signature look down to a set of 33 items.

Most of what I’ve learnt about capsule wardrobes comes from Roli’s blog. And she wouldn’t do a hypothetical capsule wardrobe without doing some coordinates to prove that the selected pieces offer both versatility and variety. So here you go, three outfits for each of the main pieces, using only the elements from this capsule wardrobe.

Click to enlarge.
Haenuli’s Whipped Cream Kitty is quite a statement piece in itself, so even a simple coordinate with it can feel extra fancy. I had to include that signature look of mine with the sailor pieces, but it works just as well in an all red x white versions for both cooler and warmer weather.

Click to enlarge.
Although still sweet, Innocent World’s Revival Sweet Teddybear is much more subtle than Whipped Cream Kitty, which allows for more classic looks. Although I can tell you that the blues don't match (well, the heels and the bonnet match each other, but not the dress), it is an easy base for an OTT look that only required some jewellery and other accessories to really make it pop.

Click to enlarge.
Skirts have become my favourites for casual wear, as well as travelling. This one, Meta's Polka Dots tiered skirt, is particularly comfortable thanks to full shirring. It would definitely look cute in autumn/winter months with the coat and the boots, and while it is a bit risky, I think it might work in a cute summer version with the crop top. Breaking a few rules there, but doesn’t everyone do that in summer anyway?

Click to enlarge.
The only OP here, Innocent World’s Strawberry Tarte Lace OP. As you’d expect with OP’s, it isn't particularly versatile, though I think there are a few options in this capsule that I haven’t explored yet. While it could work in warmer autumn months with some extra layers, its main purpose is to be a light, breathable and easy option for those unexpected UK summer spells.

Click to enlarge.
Then we come to the white pieces, the most versatile of the lot, starting with AP’s Cinema Doll JSK. Again, it is quite a statement piece on its own and at the same time, as the print is less busy, it can feel a little toned down. It works with all three colours in this capsule and thanks to being cotton, should be great for all seasons (though truth be told it is a tad on the heavy side, so maybe not quite for very hot weather.)

Click to enlarge.
Last but not least is this skirt from Bodyline. It is simple, yet elegant and probably the most versatile piece in this collection. Thanks to the boned high waist, it can definitely work dressed up, while simple ruffled tiers are plain enough to work with casual looks. And also, it’s Bodyline, perfect for when you need something durable and easy to maintain in case the occasion takes you somewhere unexpected. (Having said this, except for Cinema Doll, which I haven’t tried washing yet, everything here is machine washable and at least 3 pieces don’t wrinkle, so it’s all low maintenance here.)


Looking back at it now, I think I managed. All of the above are just the first looks that came to my head and I know that there are plenty more that I didn’t get a chance to showcase. Which I guess means that I was indeed successful with this capsule. That fills me with a sense of accomplishment and now I feel inspired to have a go at creating other kinds of capsule wardrobes from what I own.

How do you think I did? Do you like it? Do you think that it does actually work together? Is there anything that you’d swap for something else? I have a spreadsheet with my wardrobe, that I try to keep as up-to-date as possible, so you’re welcome to have a gander at what’s there to see whether there is something that you’d swap. (On an unrelated note, if you fancy doing any sort of ‘dress her up’ challenge or use my wardrobe to put some hypothetical outfits for your own blog etc. sort of collaborations, or if you want to throw capsule wardrobe theme ideas at me, let me know, please, I’m up for all that!) And of course don’t forget to check out other bloggers’ capsule wardrobes!


16 Jul 2019

Is Angelic Pretty Just Copying Meta? Conspiracy Theory


I didn’t notice this at first. Mostly because it took me a while to fully convert to the Church of Meta, whom I now do hail as king, love and life (Meta forever). But once I saw it – I could not unsee it! You may think that I’m mad, like all those other conspiracy theorists, but hear me out and then make up your own mind.


It all started off with the lemon print…

We all know that even in this ugly sack cut Meta did it better, let's not kid ourselves here.

I mean, look at it! Yes, AP has chicks frolicking amongst the lemons instead of bears, but the rest is done down to the sack cut of the OP and two out of three colourways. I remember enjoying Dreaming Heart Lemon when it came out back in 2016, even if I do agree with the concerns over the inappropriate bears. It should have caused the stir that Fruity Lemon did, especially considering how there were 3 JSK cuts as well as the OP to choose from, instead of just one of each. AP is just cashing in on Meta’s amazing idea, despite the fact that their design is inferior to Meta’s.

But this is just the tip of the iceberg of how our community has been kept in the dark. Because then I made more discoveries – like this one.

Look into the print closeups to really see this one.

This one is easy to miss – AP was less obvious about their copycattery shenanigans back then. We all know of Romantic Rose Letter, this undoubtedly gorgeous and elegant series from 2014. However, 3 years earlier Meta released their Rose Letter series. Like I said, this one is easy to miss – 2011 was still the heyday of OTT Sweet and as the Mad Hatter of the lolita fashion brand family, Meta really went for it and avoided pastel colourways (bar pink), opting for more bold tones. Nonetheless, both the name and the theme of these two print series – handwritten letters with envelopes surrounded by roses and random blingy bits for fillers – are a little too similar to be a coincidence, don’t you think? I see what you did there, AP. You waited until we forgot about this and distracted us with your more classic styling of this theme. Calculated and cold, like a true villain.

And that’s not even the worst of it!

Leopard prints were Meta's thing. Stop coming for everything iconic that Meta ever did, AP!

Oh, how everyone mocked Meta for daring to be different! A leopard print is too tacky for lolita, they said. Were they blind when they did that, they said. And yet those leopard prints are now iconic and legendary – and Meta did exactly three of them, starting as early as 2008, then in 2013 and lastly in 2015. There were no tacky fur chokers or weird overlays (is AP ashamed for doing a leopard print and wants to hide it?), Meta fully embraced the pattern that it wanted to do and even mixed in some cute shapes in between the spots to add some charm. Jewel, Heart and Rose Leopards don’t need any of those extras to shine bright as the iconic pieces of lolita fashion history that they are. AP thought that they could improve an icon – a step too far, AP…

That was it. Once I discovered this one, I had to dig deeper and the more I looked, the more I found. Angelic Pretty shamelessly ‘borrowed’ from various successful Metamorphose designs, then sold them as their own. And like the blind sheep, we followed them and bought that stuff. Oh, you think I’m making this up? How about all of those then?

Radiant Candlelight (2013) might be in velvet, but Dim Light (2012) is the OG candle print!

We all thought that Honey Cake (2011) was so special and unique - ooh, it's a pancake print, look! Well, guess what, Meta did a pancake print a whole year earlier with Honey Picnic (2010). All AP did was make it in yellow.

Really, AP? You're coming for swans now? Don't try no shenanigans with your Milky Swan (2016). While it resembles Meta's Swan Lake (2008) most closely, they have swans in so many of their other prints because, guess what, it's in their bloody logo.

The community was so shocked with Lovely Bathroom (2018) theme, as if it was something unique and novel. Look at Bubble Bath (2013), at how perfect it is with its bathroom theme and loveliness.

I'm sorry to break it to you, but not even carnival prints were safe. We all thought that Carnival Print (2006) was the OG one - but it isn't, it's Meta's Carousel Horse Print (2004).

I guess all we have to do now is wait for AP to do kimono and camo prints. They have been struggling so much with their lower quality and mediocre prints and cuts that their only choices are either stealing more of Meta’s ideas or continue rehashing the same old themes that everyone is doing and that AP themselves have done a dozen times already.

All of this just so that our community doesn’t realise that Meta is the true king of burando. Don’t let them deceive you. You have been shown the light, now follow it. Join the Church of Meta and preach the light onto others.

Just stay careful, AP doesn’t want you to know all this. They are onto me, which is why I’m on the move. They’ll never catch me – or my Meta stuff!



12 Jul 2019

Cinema Doll Unboxing and Review


If you asked me last year, whether I’d be this excited about Cinema Doll, I probably would’ve said no. It is a piece that I have admired, but never seriously considered owning given how much it sold for second hand in my preferred cut and colourway. The MTO during the AP x LaForet Museum event took me (well, everyone) by surprise and for a moment, because I’ve never actively aimed to own it, I had doubts. But then they went away, I placed the order via Muuh and now, whole nine months later, it’s finally in my hands – and I am over the moon!

She is beauty, she is grace - she has some lovely lace!

Let’s be real here: this picture does not do Cinema Doll justice at all! It is absolutely stunning, so much more intricate than probably any picture can do it justice. The print is crisp and the cotton fabric wonderfully smooth to the touch. The rustling sound it makes when it moves is soothing to the soul, I could listen to it all day.

Even more importantly for me, it fits wonderfully! I had some worries about length of the skirt and the bodice, so it’s a big relief that they are both perfect. Why can’t AP stop doing their stupid ‘only looks good on a broomstick’ cuts and do more of this?

I am also pleased to report that I have found absolutely no issues with quality. Whilst I can’t directly compare it to the original release, I’ve found no stray or loose threads, everything is sewn on evenly, the quality of the materials is brilliant and they even pattern matched the skirt in a way that, whilst not 110% perfection, is not jarringly obvious. Considering how not all AP releases are pattern matched (cough Diner Doll cough) and how people have been complaining of AP’s declining quality, it is reassuring that there were no issues with this MTO piece. The reason it retained its value second hand is because the original design was not only stunning, but well made and that’s what we want when we reserve an MTO piece.

But enough of my ramblings, I’ll leave you with some pictures, because that’s what you’re really here to see!

Bodice detail.

Lace on the straps.

Print closeup.

Print closeup.

Print closeup.

Print closeup.

Hem lace (I only just noticed that you can see the stitching on it).

Love me some proper eyelets for your corset lacing. Extra luxury points for using a velveteen ribbon!

Waist tie.

As always, Muuh was wonderful as a shopping service and they even wrapped my envelope in a plastic bag to guarantee that the dress would arrive without damage. If you want to see some moving pictures of the dress, including how it fits on me, then check out the unboxing video below.