My first gothic lolita dress – with the most un-gothic name
out there. Alice and the Pirates’ Sugar
Plum Fairy Princess JSK was a bit of a gamble, considering how poorly shiny
fabrics like organza can photograph and the short, chunky strap cut. It is a gamble that paid off and while it may be best suited to gothic lolita looks, I’d
like to explore the possibilities beyond that at least a little.
Look 1: Typical Goth
Yes, I realise that there is no legwear pictured here. That’s
because I would’ve gone with the fishnet tights, which look absolutely
atrocious in flatlay photos. This is an updated version of the last coord I did with this dress. And while it’s much closer to that quintessential elegant
gothic lolita look I had in my mind, I feel like there’s still
way to improve it, namely by getting a more gothic headdress (the Antique Beast one keeps tempting me, maybe by next reservation I’ll cave in).
Look 2: Classic Vampire
It’s not the most vampire-esque outfit out there, I’m not
trying to kid anyone here. Yet that blouse is so floaty that it inevitably
makes me think of those ‘vampire/pirate/prince shirt’ meme.
I also like how the blouse neckline covers up the JSK straps, they’re not my favourite
feature, particularly in flatlays. Although heels with a big buckle or even
short black boots would’ve been perfect here, as I don’t own anything like
that, I went with my trusty black Mary Jane heels.
Look 3: Rose Red
Again, this could be considered a somewhat vampiric look,
but for the accessories. A wine red bonnet would be ideal here – why must they
elude my search so?! I’m not entirely sure how those two hair pieces would
stack up together or what hairstyle could even hold them, but I guess that’s a
matter to figure out later.
Look 4: Starry Night
In hindsight, I should’ve gone with my Resailan Jewelry Box tights, as they are black
and gold rather than black and grey. But other than this, it’s probably my
favourite look of the lot. If worn, I’d experiment with the neckline, to see
how it might look with the blouse off shoulder. I like how it’s bringing in
sweeter elements without losing too much of the elegant feel to the overall
look. I guess mixing gothic and sweet elements tone the outfit down into a
classic one? Whatever the label, I’m quite excited to wear this one.
Just like previously, I have actually put together more
looks than I’ve featured here (three more in fact). They were on the more
incomplete side of ‘work in progress’, though I definitely would like to
revisit and finish them one day. While I’m sure you’ve noticed some pieces
appearing more than once, I think it’s interesting to see how I can still
create diverse looks whilst reusing the same smaller bits. It just goes to show
that you don’t necessarily need tonnes of accessories or shoes, these are quite small parts of the coord and there are other ways of ensuring diversity of
possible coords. I clearly went about achieving that through colour here – and even
then I’ve left some avenues unexplored, so there’s still room to grow. Lastly, I
am so, sooo pleased that the details of this dress are coming across in photos
as nicely as they are. We all know the struggle of photographing black on
black, which is an extra hassle when it’s a flocked velved print on organza. And you can see the gold glitter in it too! That’s a total success for
me!