28 Feb 2025

February Coords Roundup

A modest offering of coords for the shortest month.




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Coord 1: Kinky Boots

| Bodyline L262 JSK | Axes Femme cutsew | A.R.W. bolero | offbrand boots, earrings, and brooch | beret handmade by Kerry | vintage necklace |

The shadow cast by my glasses kind of looks like some fun eye makeup.

Dotty brooch for a dotty dress.


These boots may not exactly be kinky, but at the same time, by virtue of being over the knee boots, they are the closest thing I have, so for the first proper theatre outing of the year I decided to coordinate around them. Red was the next obvious choice and so this coord was born. A good mix of dressy enough for going out in the evening, but still comfortable and practical for the chilly February weather. And, I guess, with a splash of that Valentine’s Day mood.


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Coord 2: A Revival

| Angelic Pretty Diner Doll JSK | Dear Celine Polka Dot Waltz blouse | Angelic Pretty Logo Embroidery cutsew cardigan | Angelic Pretty Sealing Border OTKs | offbrand shoes, earrings, badge, and ring | handmade beret | Folk and Fortune Late Night Diner necklace | Bibelot Rose badge | Trixie La Fleur brooch |

At this point these glasses are almost exclusively for this dress.

I only just realised that all of these accessories here were gifts.


Until that point I’ve been feeling low-key down about wearing frills: uninspired, overstimulated by the very idea of some of the coords in my mind, a little resigned as my pile of things to alter or get rid of grows. But it just so happened that I stayed working at home that Monday to collect a parcel that couldn’t be left anywhere for safekeeping – and so I decided to capitalise on that by dressing up. My mood immediately lifted. It’s hard to feel down when you’re dressed in pastels. My shoes are my regular sports shoes, but now I am extra glad that I spent a little more to get them in a cute colour since I got to coord them with Diner Doll. A generally more comfortable/casual take on the dress, but I think it’s exactly what I needed to boost my motivation levels.


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Coord 3: Too Much

| Baroque Repose of Queen OP | Infanta overblouse | AatP Arabesque OTKs | Modo Prayer Poem shoes | BtSSB headdress | vii earrings | offbrand necklace and ring | Le Petit Four bracelet |

Yup, as expected, the headband on this BtSSB headdress is not the comfiest thing...

I'm trying to remember if I ever actually wore that necklace, having owned it since around 2014... and I don't think so.

Too much for working from home, for sure. But not too much for lifting my spirits up with looking nice and being relatively comfortable. (I say relatively because almost all of the accessories got yeeted the moment I was done with photos.) Ever since receiving this veil headdress from a Secret Santa I knew that I wanted to wear it with this dress. Even despite the difference in shades, I think the overall coord works. Saved at least a tiny bit by the lace on the overblouse being lighter than the rest of the blouse. It is such a nice piece, I still regret not getting more of these blouses when I had the chance and it’s been nine years by now…


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Coord 4: Games Day

| BtSSB Snow Dot skirt | Pinky Girl cardigan | offbrand cutsew, tights, shoes, and hair clips | tulle x Eat Me hair tie | vintage necklace | Patisserie Pink Lock and Key brooch | Bed Room bracelet |

I promise that there are hair accessories at the back there.

Actually, now that I think on it (again), so many of my most worn accessories are gifts from people...


Going out for a day of friends and boards games, I wanted comfort and speed of getting dressed, but still with some impact. Black and white with pops of red always looks immediately polished, even when it's low effort, and this coord is no exception. We had a great time playing Townsfolk Tussle and ending the day on some Villainous, both of which were great, though Townsfolk Tussle took it out of us a little. 


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Coord 5: Dear Evan Hansen

| BtSSB Secret AIR MAIL from Sweet Kitty JSK | Ank Rouge cutsew | offbrand jacket | Lady Sloth Welcome to My Dollhouse underskirt | Angelic Pretty Alphabet Marine OTKs | Elf Armorie Cupid’s Heart shoes | handmade (not by me) beret | Two Days Slow hair clips | Glitter from Wonderland necklace | Fluffy Tori Everybody Can Be Kawaii pin | Magical Mews Swan Hoe pin | AatP Chris’s Hyakki Yakou badge | Six the Musical pin |

It was very much a faux fringe kind of a day.

The two high school stereotypes in pin form: a mean girl and a nice girl.


It’s impossible to feel down in a fun coord like this. I know because I was feeling a bit down that morning and my mood shifted once I got dressed in this. Although the coord feels a bit too ‘jocky’ with the jacket for a socially awkward teenager like Evan Hansen, my reasoning was that it’s still looking a bit high school, which would vibe with the musical. And only once I had it on I realised that the plot of the musical kicks off with Evan writing letters to himself, so the print theme and the socks kind of fit in too. I definitely wanted to try coording these socks and that JSK together once more because Im not particularly happy with my first attempt and I think it’s because the socks don't actually go over my knee, so the underskirt helps here. My assortment of pins was selected mostly for the colour, though I also figured that the Captain Chris and the Swan Hoe ones were fun nods to high schooler archetypes, with the Fluffy Tori one acting as a balance element to the meanness and the Six one just being there to have something musical theatre related on me.


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Coord 6: Northumberland Trip

| Violet Fane Charming Town skirt | Axes Femme blouse and brooch | DreamV cardigan | Thunda Thighs socks | offbrand boots and beret | 

It was pretty windy that day, though thankfully we were at the gardens before the real wind yellow alert kicked in.

Minimal accessories for staying quite casual (and to keep the packing to a minimum).


For my boyfriend’s birthday we went up to Northumberland, specifically to Alnwick to visit the gardens there. He was going to wear a mostly brown-based outfit, so I tried to match that, landing on this. Originally I was going to be wearing a pair of brown Docs, which are new to me, however, in the lead up to the trip I was too eager to wear them and didn’t break them in properly, giving myself pain and blisters, hence the less ideal boot choice. Still, we had a great time in the Alnwick Gardens, even with it being February and botanical gardens being mostly bare, then at a fancy restaurant in a treehouse, finishing the day off stargazing at an observatory. The day after I wore a slight variation of this (different top and socks) for the journey back, but I didn’t take a picture, so have a Whering collage (still including the Docs).


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Coord 7: Daytime Museum

| Haenuli Whipped Cream Kitty JSK | offbrand cutsew and rosette | Naddine Atelier bustier | Son de Flor belt | BtSSB Secret AIR MAIL from Sweet Kitty OTKs | Hot Chocolate Design Dear Santa shoes | handmade (not by me) beret | Bodyline brooch | Folk and Fortune Typewriter necklace | Tea Party Club Dream Masquerade Carnival badge | Cutie Creator wrist cuffs |

Funny how half of my hair was super wispy and half was crispy with the hairspray.

Still living on in our collective memory.


My friends were in Manchester for the day because one of them had an audition, so I took a half day off and spent my afternoon with them. Since we went to the gallery and were mostly just pottering around, I opted for comfort, though not quite fully casual. I think I’ve reached the stage with this dress where I’ve done most of the major ideas with it and am now at the point where I’m starting to put slightly different spins on the things I’ve already done with it. Which is interesting to me personally because whilst I’m wholly for outfit repeating, usually with lolita the point where I feel like I’ve done everything I could/wanted to with a dress is the point where I’d sell it. Not with this one though. If anything, reaching this stage has given me the permission I didn’t quite realise I needed to let go of that pressure and just enjoy the dress, whether the coord is something I’ve worn before or not. Sorry to anyone out there who got excited that I might be selling this dress (and even if I was, which I am not, there’s a waiting list as a few of my friends have put bids on it already).


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Coord 8: A Working Wednesday

| Chrysanthemum’s Concerto The First Semester JSK | offbrand top | Snag Piglet tights | Elf Armorie Cupid’s Heart shoes | headbow handmade by Jule | vintage necklace | Felfira Moon Designs pin | Folk and Fortune Romance Book Club brooch | Star Glazed Delights Brand Whore ring |

Not seen are the two alligator clips that are holding this headbow in place at the back.

Finally wearing this pin and doing some blogging whilst wearing it = win!


My plan was to go for something comfy yet smart and I think that I achieved that. Yes, it bothers me that the tights look so much more saturated because the top is sheer, even though the tights are precisely the kind of pink that I was looking for. But I was only sitting at home, working and doing chores in between, so it’s not like it’s a big deal. I’ll know next time to pair them with a solid blouse.


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The end of the month has kind of snuck up on me. I was busy doing all sorts of things when suddenly February’s over and March came upon us. I am not ready, I do not feel ready, I feel like my to-do list is not diminishing in size at all – but here we are. Still, in spite of all this, I am looking forward to spring and to some warmer weather. And Chicago, definitely looking forward to that! If you are also going to The Great Lace event, please, say hello! I plan on not being in wigs, so hopefully you shall recognise me easily.


7 Feb 2025

Ageing through EGL

It is always satisfying when the Bibliotheca bloggers pick your prompt suggestion. Because yes, I have suggested age/ageing – I increase my age stat in January and am very vocal about ageing, partly to grow comfortable with it myself and partly because I already am quite comfortable with it. But that’s not quite the direction that I wanted my contribution to the Bibliotheca post to go.


Photo by cottonbro studio from Pexels.com.


When I was relatively young, a daft piece of information with no scientific backing to it that I’d read in either a teen or a women’s magazine stuck with me: that our style changes every 7 years. Now I understand that the number is arbitrary and the point is to allow yourself to grow in whatever direction feels right for you at the time, nonetheless the number stuck with me. Sure enough, how I dressed at 7 differed from 14 which differed from 21, which differed from 28… I’m excited to see how, if at all, it will differ at 35 (not quite there yet, but it is aspirational).


Some of these are the closest that I could find of me at those ages, but it's close enough. Fringed Paulina from the late 2000s was so of her time.


Those younger ages especially reflect more of your typical growth into an independent human being, which in itself is an interesting journey to ponder on a personal level. But by 28 I was very firmly into lolita fashion, even though I had started dipping my toes into it by 21. And between those two stages (as well as now) my relationship with this fashion continues to change. Not just in terms of how I view it or what I wear, but also why I wear certain things or why I wear them in certain ways. These changes are a reflection of other things affecting me at the given time, who I was as a person and what sort of internal conflicts I may have been going through. And that is the sort of timeline that I’d like to explore a little bit more here.


Because unlike many 18/19-year-old lolitas who are new to the whole world of EGL now, in the 2020s, I didn’t jump into it quite so intentionally or with quite as much of a hyperfocus. At the time, whilst the desire to present myself in more feminine ways was bubbling up to the surface, my confidence in being perceived was barely beginning to crawl. It was easy enough to throw on my Bodyline polka dot JSK for a night out at burlesque, but it was having that event as a ready-made excuse at my disposal that made me take the step and enjoy an evening of some compliments and attention. Back then, I definitely would’ve joined the chorus of voices asking ‘How do I just go out in lolita as if it’s nothing, I don’t want to be perceived, I want to be left alone” that we continue to see to this day. A far cry from how I act now, though even today, on my worse days, I sometimes take the easier route of just changing my clothes. It’s hard to not sympathise with the teens, still with a school mindset applied to the whole world, which fuels their anxiety of being judged at every step.


I also know that that’s how I would’ve been because that was still how I was at times at 24, when my interest in lolita fashion became a lot more sincere and focused on the fashion itself. It was easier to dress up with friends in Japan because as young women of other ethnicities, we stood out anyway. But I still remember that first time that I went out in frills not to a meetup (although braving public transport was still something), but for afternoon tea with just my Mum in the city we lived in. Trying to retain anonymity from potential students was only half truth – I was scared of being seen and recognised by anyone who knew me and might’ve seen me. I was scared of having to explain my ‘weird lil’ hobby’ and of the judgement that it’d bring, and the awkwardness of simply being nerdy amongst normies (though at least it’s easier to tell people that I play video games than to explain such a loud fashion, no least because the fashion isn’t being contained to one’s home). Lolita fashion back then was my escape, but also growing as a special interest given how deeply I dove then into all the stuff that I could find online. In the privacy of my room I spent hours on YouTube videos and blog posts. Outside of it, I still relied on the safety of a group and an excuse to actually make it outside.


The later stages are harder to pinpoint exactly in time. The exposure I received at meetups gradually transferred outside of them and I wore lolita more openly and without a need for an excuse. Sure, having a supportive immediate environment (family, partner, friends) helped, but alone they weren’t enough to make me brave the general public. By 27, when I finally moved out to live on my own, I was already confident enough to dress up and go places by myself, encouraged by big city living compared to the backwater city that I was in previously. (It also helped that moving out meant not having to navigate caring for my burando and living with smokers.) But the more notable change during that time wasn’t so much the confidence, but how my general sense of identity has shifted. I ditched wearing trousers altogether sometime around 2017. I embraced my femininity and expressed it through clothing. Whilst I still do not particularly wish to be perceived, gone was the 18-year-old who was terrified of expressing herself authentically and in came a woman in her mid-to-late-20s who found joy and freedom in wearing her personality not just on her sleeve, but as a sleeve (preferably a big fancy one). It took years to get to that point not necessarily because it was difficult, but because I got there at my own pace, with little steps rather than big plunges into the deep.


Looking through my photos, it seems that by late 2018 I was already bold enough to just go out for nothing in particular dressed like an occasion. It seems earlier than I thought, but I guess not by much.


And without meaning to skip the lockdown years entirely, my ageing through EGL hadn’t hit another point until the pandemic was semi-officially over and I hit 30. The age itself hasn’t had anything to do with it. I do not subscribe to the notion that you should stop being a fun human with individual personality just because you’re no longer young, that shit is toxic and all the ‘Meet This Quirky Old Lady’ articles on Vice, Glamour and what not had to start somewhere, so why not speed the process up. The age, in this case, is entirely coincidental since no-one chooses when they’re born. Staying at home allowed me to explore some big ideas, as well as explore a lot of them in a relatively compressed space of time – between 2020 and 2021 I have worn lolita more than in the previous years combined (or that’s how it feels, I can’t be bothered to actually count). Lolita fashion was my primary hobby, one that I engaged with at almost every opportunity, and as such it wove itself into the fabric of my identity. 


And now, at times, it feels like that weave is loosening.


I’m certainly not considering leaving the fashion anytime soon and don’t consider myself anything less of a lolita because I’ve gone from 150 coords a year to 100 or even fewer (we’ll see what 2025 is like). Yet at times, especially recently, I do feel like my stars may have shined very bright for a bit too long and the fatigue is catching up with me. Whilst I’m grateful to not be like one of those people without any hobbies whatsoever, having multiple time consuming hobbies is also a never-ending juggling act of trying to keep yourself happy. Now, having explored so much of the EGL world: done a lot of coords, attended multiple international events, hosted multiple meetups big and small, blogged and vlogged, created an updated version of the Lolita Level Up Quiz (which probably needs updating again, but someone else take that on), coordinated an actual fashion show… Now feels like the right time to take a step back from that, dial down the intensity, and allow myself to indulge in other hobbies of mine. I am neither a newbie soaking up all the knowledge nor that intermediate lolita who needed to prove herself. Having explored my coording creativity so intensively, there is a level of contentment with being able to just wear the clothes, even if it sometimes requires putting duct tape over the mouth of my inner critic. And with contentment with limiting my engagement with EGL to make space for these other hobbies comes acceptance that my style is shifting once more.


The goals I set myself for 2025 are so clear in prioritising comfort and rest that I don’t need to repeat myself. What I wear or gravitate towards on a day-to-day basis reflects that: my extended wardrobe has grown in pieces from Son de Flor and I’m gradually making my way through replacing normie clothes that aren’t a comfortable fit. My work from home coords are getting lazier/simpler with each one and I’m finding myself putting off the more complex ideas for meetups or filming or theatre or moments of more energy instead of doing the pandemic thing of getting ready over the course of an entire morning. If things continue like this, then I imagine that by 35 my style will transform into something a lot more classic and simple, with more pieces from brands like Physical Drop and Violet Fane, eventually dropping some of my printed JSKs in favour of skirts. Maybe my Instagram outfits backlog will ease because I won’t be wearing frills as often or documenting the other outfits as much to fill in the gap. There is no way of telling what my life will be like at 35, but I am hoping for a degree of stability and security that would make slowing down not an indulgence from having to do it all myself, but a conscious and consistent choice that’s honouring the values that I hold. It could be wishful thinking or it could be a moment of a total lack of self-awareness. We’ll find out.


The highly professional mirror selfie from the day of my 33rd birthday. This is what I look like for a big chunk of the time - and I am pretty happy with that.


One thing that is certain, at least for now, is that my ageing through this fashion is not going to be isolated. There are already so many people in this fashion in their 40s and 50s because it resonates with them on a personal level. Right now I struggle to imagine not joining their ranks. Despite the near constant influx of new lolitas, most of whom are in their teens and early 20s, the millennial contingent remains a steadfast foundation of our communities and we plan on sticking around some more. We may just happen to be a little bit less intense in how we talk about this fashion and the community than our enthusiastic, overly energetic younger counterparts.